This is the infamous Seljalandsfoss in Iceland. It was about 20 minutes from our hotel, so when the northern lights started dancing at the hotel, we headed here with the hope that I could get the lights dancing from behind the falls. Unfortunately it is Iceland, with the most temperamental weather in the world, so by the time we got to the falls it was completely overcast and raining. So no lights. They also throw a light onto the falls, meaning even if I could see lights it would've taken a composite to work it into this shot, since the falls would've been completely blown out to expose correctly for the lights. We waited a few hours for the rain to clear, but that didn't happen. So I trudged through the rain and wind and cold and mud to the back of the falls to at least get something for my efforts. This was the result. I only had one shot at this since the mist onto my lens was so severe that any additional shots would've been a disaster, and cleaning your lens in rain / mist is not always very successful. So I shot at ISO-800 to see whether there is a hint of lights in the distance (sometimes your eyes can't see them but the sensor can). No luck, so we waited a while longer, and then gave up and went to bed.
Danie, I want to know whether a square crop works better or just as well. I'm going through a "Kenna" phase, so liking the emulation of medium format, but I also don't want to lose anything by sticking to that alone. Obviously composing for a square crop in a DSLR is not the easiest. My personal opinion is that a square cropping a slither off the right and then a lot off the left works well (will post my suggestion in a comment), but would love your opinion?
Nikkor 20mm f/1.8G
Edited in PS using Luminosity masks
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